See Through Dresses' 2015 EP End of Days introduced a wider audience to a sound both intrinsic and environmental, with stark contrasts between its principal songwriters'devastatingly riff-heavy jams and endearingly honest confessionals. It showcased what the Omaha, NE band can do in spaces where guitars and rhythms rule the roost. If End of Days is See Through Dresses' rock record, the reverb-drenched, synth-laden Horse of the Other World is its dreamy opus. Recorded at ARC Studios with Ben Brodin (Pile, First Aid Kit, The Good Life) and at the band's home studio, the sophomore LP signals a sonic leap into a more ethereal, soundscape-driven aesthetic, blending Matthew Carroll and Sara Bertuldo's masterful mood creation and technical prowess while further exploring the depths of the band's dynamics. “Pretty Police” mixes sparkle and bounce with brood, while “Violet” cuts sharply via crystalline keys and arpeggiated chords. Bassist Alex Kirts pumps the album's bleeding heart and drummer Nate Van Fleet is tactical and creative. Their playing shines as the foundation of songs like “Lucy's Arm” and “Herbivore,” whose climaxes are textbook See Through Dresses.Bursting onto the Omaha scene with its 2014 Self-Titled debut, See Through Dresses continues to gain international traction. The band has toured the U.S. several times over and made trips through Canada and Europe. It has recently shared the road with Cursive, Beach Slang, Cymbals Eat Guitars and will head out with Charly Bliss this Spring.